
Wilhelm Kuhnert, Public domain, via Wikimedia Commons
Pencil drawing and the nuanced art of artistic shading are the foundational lessons in the grand school of painting. It is the silent, grayscale rehearsal before the vibrant performance of oil colour or the fluid dance of watercolour painting. On the other hand, for the seasoned master, it remains a powerful medium in its own right, capable of conveying breathtaking realism, raw emotion, and timeless beauty.
To truly understand this journey, let us not merely speak of it in abstract terms. Let us embark on it together. Let us try our hand at drawing a subject that is as powerful and as textured as the medium itself: the majestic Elephant.
To truly understand this journey, let us not merely speak of it in abstract terms. Let us embark on it together. Let us try our hand at drawing a subject that is as powerful and as textured as the medium itself: the majestic Elephant.
The Foundation Stone of Visual Art
Before a painter can command a canvas with sweeping strokes of colour, they must first understand form. Before a sculptor can carve life from a block of stone, they must first comprehend the play of light and shadow. This is the role of drawing. It is the bedrock upon which all other visual arts are built. When you pick up a pencil, you are learning to see—truly see—the world around you. You are training your hand to work in concert with your eye, translating the three-dimensional reality you perceive into a two-dimensional representation.
This process hones critical skills: understanding proportion, perspective, and composition. It teaches you how a simple line can convey weight, movement, and direction. It reveals how the gradual application of tone can create the illusion of volume, turning a flat circle into a sphere, a simple outline into a living, breathing form. This initial work, this primary effort in graphite, is not a mere preliminary step to be rushed through; it is the essential education of the artist's eye and hand. It is where you learn the language of art before you begin to write poetry with it.
The Elephant: A Perfect Muse in Graphite
Why choose an elephant for our study? Because it is a magnificent subject that challenges and rewards the artist in equal measure. The elephant is a study in contrasts: its sheer bulk and power are offset by the gentle intelligence in its eyes. Its form is composed of broad, simple shapes—the massive barrel of the body, the sturdy columns of the legs, the great, fanned ears, which are excellent for practicing basic construction and proportion.
Yet, look closer, and the elephant reveals a universe of intricate detail. Its skin is a cartographer's dream of wrinkles, folds, and textures. No two square inches are alike. This provides an unparalleled opportunity to explore the full potential of shading. How do you render that leathery, ancient texture? How do you capture the way light catches the high ridges of a wrinkle while its depths remain in profound shadow? Drawing an elephant teaches you to be a student of texture, to move beyond simple smoothness and to depict the very feel of a surface. Furthermore, the elephant is an incredibly expressive creature. In the gentle curve of a trunk, the protective stance of a mother over her calf, or the wise gaze of an old matriarch, there are stories to be told. This allows us to practice not just technical skills, but the art of conveying emotion and narrative.
The Artist's Arsenal: More Than Just a Pencil
The quality of your journey is often influenced by the quality of your tools. While a master can create beauty with the simplest of instruments, a beginner will find the path much smoother and more rewarding with the right materials. The dialogue between the artist and the paper begins with the pencil, and understanding its language is crucial. Let us shop, conceptually, for our supplies.
Graphite Pencils: The Heart of the Matter
When you visit an art supply store, the sheer variety of pencils can be daunting. You will see labels like H, 2H, HB, 2B, 4B, and so on. These are not arbitrary codes; they are the key to controlling your drawing's tonal range. The letter 'H' stands for Hardness, while 'B' stands for Blackness (or softness).
The H-Grade Range (9H to H): These pencils have a hard, sharp point that deposits a very light line. Because the graphite is mixed with more clay binder, it doesn't smudge easily. Pencils like 4H, 3H, and 2H are ideal for the initial stages of a drawing: creating light, precise construction lines that can be easily erased. They are the architect's choice for drafting and are perfect for mapping out the basic shapes of your elephant without committing to a dark outline.
The Middle Ground (F, HB, B): The HB pencil is the standard, everyday writing pencil. It's a perfect balance of hardness and blackness, making it a versatile tool for general sketching and line work. The B pencil is slightly softer, offering a darker line that's a good starting point for shading.
The B-Grade Range (B to 9B): This is the artist's shading palette. As you move up the B-scale, the graphite core becomes softer, containing less clay and more pure graphite. A 2B is wonderful for mid-tones. A 4B or 6B will give you rich, dark shadows, perfect for defining the deep recesses in an elephant's skin or the shadow it casts upon the ground. The softest pencils, like 8B and 9B, are like sticks of pure, buttery graphite, capable of producing the deepest, most velvety blacks imaginable, but they also smudge very easily—a quality that can be used to your advantage with blending tools.
For our elephant drawing, a good starting set would include a 2H (for initial sketching), an HB (for refining outlines), a 2B (for light shading), and a 4B or 6B (for dark shadows). Many experienced artists also enjoy using woodless graphite pencils, which are solid sticks of graphite that can be used for broad strokes, or mechanical pencils with varying lead thicknesses for consistent, fine detail work.
The Surface: Choosing Your Paper
The paper is your stage. Its texture, or "tooth," will dramatically affect how the pencil's graphite is received.
- Sketch Pads: These are typically lightweight and have a fine tooth, perfect for practice, quick studies, and working out ideas.
- Drawing Paper: For a finished piece, you'll want heavier paper, often measured in grams per square meter (GSM) or pounds (lb). A good drawing paper (like a 90 lb or 120 GSM sheet) can withstand more erasing and layering.
- Texture (Tooth): A paper with more tooth (like a cold-press paper) will grip the graphite more, resulting in a more textured, grainy look, which can be perfect for an elephant's skin. A smoother paper (hot-press) allows for finer detail and smoother blending.
An eraser is not just for fixing mistakes; it is a creative tool in its own right.
- Kneaded Eraser: This is the artist's best friend. It's a soft, pliable putty that can be moulded into any shape. You can use it to lift graphite from the paper without damaging the surface. By dabbing it on a shaded area, you can lighten tones subtly. By shaping it into a fine point, you can "draw" highlights into your work, pulling light from the shadows.
- Vinyl (Plastic) Eraser: This is a harder, less flexible eraser that is very effective at completely removing graphite. It's best for cleaning up edges and removing stubborn lines.
- Detail Eraser: Often housed in a pen-like casing (like the Tombow Mono Zero), this tool allows for incredibly precise erasing, perfect for creating fine whiskers or the glint of light in an eye.
To achieve smooth, graduated tones, artists use blending tools to smudge and move the graphite on the paper. Blending stumps (tightly rolled paper sticks) and tortillons (similar but smaller) are perfect for this. They allow for controlled blending in both large areas and tight corners.
The Technique: A Symphony of Line and Tone
Now, let us return to our elephant, armed with our knowledge and tools. When we observe a masterful drawing, like the poignant depiction of the 'mother and son elephants' mentioned, we are seeing the culmination of a deliberate, layered process. The artist, with their best efforts, has combined exact line drawing with an excellent, sensitive use of pencils of different grades.
Step 1: The Ghostly Sketch (2H)
Begin with your hard pencil, the 2H. Look at your reference. Don't see an elephant; see shapes. An oval for the head, a larger, heavier oval for the body. Rectangles and cylinders for the legs. Sketch these shapes incredibly lightly. This is your scaffolding. Focus on placement and proportion. Is the head the right size relative to the body? Are the legs positioned correctly to convey a sense of weight and balance?
Step 2: Defining the Form (HB)
Switch to your HB pencil. Now, begin to refine the initial shapes into the true contours of the elephant. Transform the ovals into the distinct silhouette of the head, the curve of the back, and the sag of the belly. Draw the outline of the trunk, the ears, and the tail. These lines should still be confident but not overly dark. This is the stage of "exact line drawing."
Step 3: The Dance of Shading (2B, 4B, 6B)
This is where the magic happens and the value of the drawing is truly enhanced. Shading is what creates the illusion of three-dimensional form. Start with your 2B pencil. Identify your light source. Where is the light coming from? The surfaces facing the light will be the lightest, and those facing away will be in shadow.
Begin by applying a light, even layer of tone to all areas that are not in direct, bright highlight. Use the side of your pencil for broad strokes. Now, switch to your 4B or 6B for the darkest areas: the deep crevices of the wrinkles, the shadow underneath the elephant's body (the cast shadow), and the parts of the form turned furthest from the light (the core shadows).
Step 4: Rendering Texture and Detail
To create the iconic wrinkled skin, use a variety of shading techniques. Use hatching (parallel lines) and cross-hatching (overlapping sets of parallel lines) to follow the contours of the muscles and folds. Use circulism (building up tone with small, overlapping circles) to create a softer, more mottled texture. As you build up these layers of graphite, you can use your blending stump to soften the transitions and create a sense of realism.
Now, bring in your secret weapon: the kneaded eraser. Mold it into a sharp edge and gently lift out thin, squiggly lines of highlight along the raised edges of the wrinkles. This single technique will instantly transform a flatly shaded area into a convincingly textured surface. The expressions of the mother and son elephants are depicted so nicely because the artist understood how to use light and shadow to model the subtle muscles around the eyes and the gentle curve of the trunk. Every detail, from the glint in the eye to the texture of the tusk, is rendered with care, making everything look natural and alive.
Pencil art, when executed with such mastery, transcends its humble origins. It is not merely a preparatory sketch; it is a final, breathtaking work in itself. The pencil drawing of the 'mother and son elephants' is a testament to this, a lovely illustration where the masterful shading doesn't just describe the form—it enhances the emotional value, telling a story of maternal love and gentle connection. It proves that within the simple spectrum of black, white, and grey, an artist can find a universe of expression, creating work that is as rich, as moving, and as enduring as any painting in full colour.
Symbolic Meaning of Elephant in Art:
Do you know why we love elephants? There are
historical reasons. Since the primitive age, the elephant has played an
important role in our lives and development. It has generated symbolic
meaning for the elephant. In art and literature, too, the elephant is shown as
a symbol of power and nobility. The unmatched strength and huge utility of
the elephant have made it a symbol of strength and development.